8 RULES OF PAINTING

Robert Genn Twice-Weekly Letter

Eight rules of painting

April 8, 2014

Dear Madison,

In the corner of Mrs. Haddleton’s seventh-grade art class stood a potter’s wheel and a kiln. I straddled the little stool and threw down a grapefruit-sized ball of clay–my first pot. Gently kicking the wheel’s power over to me, she cautioned, “You’re standing at the top of a ski hill with your skis on, and you don’t yet know how to ski.”

Several hundred-pound ashtrays later, I decided painting was more my thing.

Remembering my brief career in ashtrays and thinking about the parallels in all the arts, I decided to re-read English author and illustrator Neil Gaiman’s Eight Rules of Writing. Eight seemed brief enough to hang on to, but long enough for a developing creative to partially reject. Rules are, like an ashtray-in-progress, meant to be thrown, poked and reshaped to suit yourself.

Here’s my version of Neil Gaiman’s Eight Rules. I’ve modified them for painters:

1. Paint.

2. Put your first stroke down and move on with another stroke. Work your strokes and let your strokes work you.

3. Stop the painting before you think you should.

4. Put your painting aside and start another painting.

5. Always keep in mind that you are your own best critic.

6. Perfection in painting is probably not possible. Excellence in painting is for people who appreciate the poetry of your soul.

7. Your style is what you’re doing academically wrong. Radicalize yourself — you only have one life to show you’ve got style.

8. You need to paint with enough assurance and confidence to know you can do whatever you like. So paint your story and make painting your life. Be honest with yourself about your progress. Always try to do a better job than you did the day before. I’m not sure there are any other rules. Not ones that matter.

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